She met Carleton by chance a day or two later, as she was entering the office. “I want to see you,” he said; and took her up with him into his room. “A nation works on its stomach. Underfeed your rank and file, and what sort of a fight are you going to put up against your rivals. I want to see England going ahead. I want to see her workers properly fed. I want to see the corn upon her unused acres, the cattle grazing on her wasted pastures. I object to the food being thrown into the sea—left to rot upon the ground while men are hungry—side-tracked in Chicago, while the children grow up stunted. I want the commissariat properly organized.”!
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They were at the far end of the corridor; and the few others still promenading were some distance away. She had not delivered the whole of her message. She crossed to a seat, and he followed her. She spoke with her face turned away from him. She wrote to Phillips to meet her, if possible, at Euston. There were things she wanted to talk to him about. There was the question whether she should go on writing for Carleton, or break with him at once. Also one or two points that were worrying her in connection with tariff reform. He was waiting for her on the platform. It appeared he, too, had much to say. He wanted her advice concerning his next speech. He had not dined and suggested supper. They could not walk about the streets. Likely enough, it was only her imagination, but it seemed to her that people in the restaurant had recognized him, and were whispering to one another: he was bound to be well known. Likewise her own appearance, she felt, was against them as regarded their desire to avoid observation. She would have to take to those mousey colours that did not suit her, and wear a veil. She hated the idea of a veil. It came from the East and belonged there. Besides, what would be the use? Unless he wore one too. “Who is the veiled woman that Phillips goes about with?” That is what they would ask. It was going to be very awkward, the whole thing. Viewed from the distance, it had looked quite fine. “Dedicating herself to the service of Humanity” was how it had presented itself to her in the garden at Meudon, the twinkling labyrinth of Paris at her feet, its sordid by-ways hidden beneath its myriad lights. She had not bargained for the dedication involving the loss of her self-respect.
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It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. “I asked her once,” said the girl, “why she wasted so much work on them. They were mostly only for poor people. ‘One never knows, dearie,’ she answered, with that childish smile of hers. ‘It may be for a little Christ.’” “Oh, brains aren’t everything,” answered Madge. “Some of the worst rotters the world has ever been cursed with have been brainy enough—men and women. We make too much fuss about brains; just as once upon a time we did about mere brute strength, thinking that was all that was needed to make a man great. Brain is only muscle translated into civilization. That’s not going to save us.”
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